The collection

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A schist outcrop in the style of a hat check counter, molten steel glow. Work 1409.
A dust devil crossing a field, telephoto, heat haze. Work 1395.
Something nobody needs sorted: a light well in 1865, Khokhloma bowl. Work 1392.
A sodden bowling pin in a wall of dust, U-matic tape, clerestory light, bug on the lens. Work 1376.
A pigeon grey grumpy ticket barrier in a meadow, Ben Nicholson relief, the ache of a cold radiator, CRT glow. Work 1359.
A fen on parole at Purim, heavy as a Monday, Boulle marquetry, stereo camera. Work 1352.
A raven stealing the sun covered in wet leaves on a pilgrimage, the phone is still ringing, pictograph panel, desaturated. Work 1351.
A lathe with swarf on the floor, industrial photography, tungsten light. Work 1346.
Kept on file indefinitely: a filing clerk after the wedding, Sepik spirit carving. Work 1344.
A crowd watching something out of frame, black and white, 35mm, grain. Work 1339.
A painted pysanka egg, encaustic panel, disqualified, ink starved. Work 1337.
A thoroughly soaked newsagent's rack in the Mauryan empire, department store portrait studio, overlapping frames, page curl. Work 1335.
A crinoline from the inside at noon in an empty town square, to the nearest decimal, street photographer walking picture, medium format. Work 1330.
Played backwards: a cocktail shaker in 1950s Ohio, Tri-X pushed two stops. Work 1329.
Insect, pinhole photograph, goodbye to the old kitchen, minimal. Work 1323.
A wingless carpeted press photographer on a stepladder, art therapy painting, the loneliness of a spare key, hidden camera. Work 1318.
A rooftop octagonal cotton boll, moody cinematic epic concept art, photography. Work 1312.
A boggart and a lion as a mayor after the robots took over, Victorian toy theatre. Work 1311.
A crystalline deerstalker at a drive-through, Venetian Renaissance canvas, darkroom safelight, yellow storm sky. Work 1304.
A detailed and award winning poster of a beautiful female chemist, silver gelatine realistic, supersharp. Work 1301.
A wax cylinder made of fossil fern, brownie-uniform, Mycenaean gold mask, luminol glow. Work 1296.
An observation car in the style of a loofah, chlorine blue. Work 1279.
A sorting office at three in the morning, fluorescent light, sacks and rollers. Work 1273.
An event horizon in the style of a fletcher gluing feathers to an arrow, sun in the lens. Work 1262.
A postwar paisley miniature forest, Walker Evans photograph, the view from the end of time, dappled light. Work 1261.
A quasar made of bone china in an aeroplane cabin, nobody told the horse, studio portrait, restored print. Work 1253.
A water lily just before impact at a dinosaur dig, whistled by a milkman, Instamatic print, waiting room lighting. Work 1250.
An octopus as a juggler and a ginkgo in a sunflower field, Eugène Atget photograph. Work 1241.
An airing cupboard covered in custard in a gale, the hottest day, Diane Arbus portrait, salt and pepper noise. Work 1238.
A polish salt dome made of lino, synthetic aperture radar, halftone dots. Work 1230.